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and the alternately swaggering and smooth "Cato as a Pun" melds a gutsy guitar riff with a gorgeously fussed-over verse
"Lillie: F-65" is furthermore graced with the deeply resonant vocals of Scott "Wino" Weinrich who returns to record an album with the band for the first time since the glorious "V" (1989) and whom many consider to be the classic Saint Vitus vocalist
diary entries
has become synonymous both with the group's adoption of a leather-and-studs wardrobe (a byproduct of singer Rob Halford's then still closeted gay lifestyle) and with crystallizing the more concise and versatile heavy rock songwriting that would be repeatedly polished to a platinum sheen by the early '80s
C1 The Chain
ILLADELPH/ALFLIFE, V 12/28/1999 and the alternately swaggering andThe Roots: Rahzel "The Godfather Of Noyze" (vocals, various instruments); The Brother "? uestlove" ? uestion (vocals, keyboards, drums, percussion); Tariq "Black Thought" Trotter, Malik "M Ill itant" B. (vocals); Leonard Nelson "Hub" Hubbard (cello, keyboards, bass); Kamal (keyboards, sleigh bells). Additional personnel: D'Angelo, Cassandra Wilson, Scratch, Angela Slates, Common, Amel Larrieux, Ursula Rucker, Dice Raw (vocals); Steve Coleman, Graham
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