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features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track
and Busta chooses to engage them in one of two ways--by providing bold counterpoints with his signature high-energy shout raps (as on the heavy piano-loop of "We Want In" and the ATL-flavored "Don't Believe Em") or by softening his flow to interact with the melodies (as on the X-rated "Sugar" or the Dre-produced ballad "Decision")
Marilyn Jones
to come up with a sound he can call his own
Lennon-esque falsetto in a tale of hurt featuring searing slide guitar
TOO 11/2/2010 features his dynamic big bandWhen L. A. garage punks FIDLAR emerged in 2013 with their self titled debut, they were lauded for their mix of classic SoCal punk (Circle Jerks, Descendents, Fear, etc.) and brash, melodic indie jangle with occasional clamorous surf tones. That first slab introduced their fuck all world view of cheap beer, cheap drugs, skating, surfing, and partying, and, in spite of its abrasive and somewhat simplistic subject matter, was a pretty fun ride. In