Hilma af Klint The Ten Largest nr 1 Material:225g Fine Art Paper the layered complexity of overlapping

the layered complexity of overlapping branches and the nuanced tonal shifts between warm ground and cool shadow are reproduced with exactness and clarity

the negative space as active as the marks themselves

The composition layers water

It is one of the defining graphic documents of early modernism

fine typography

Hilma af Klint The Ten Largest nr 1 Material:225g Fine Art Paper the layered complexity of overlapping"The Ten Largest, Nr 1" opens af Klint's monumental 1907 cycle representing childhood rendered entirely in abstract form: soft pinks, pale yellows, and greens arranged in flowing biomorphic shapes across a tall vertical field. Spiral and petal motifs drift through the composition with an open, unencumbered quality that reads as innocence. There is no clutter, no density just form finding its place in space. The colour palette is the palest in the