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including Cortland Gibson (Dock Hellis)
working in Tazartès’ invented practice of ‘impromuz’
causing flashbacks of an early 80’s dystopia that jumps around a confusing
trawling of archives
charging along with a somewhat whimsical Beach Boys-esque pop quality
Nothing Here Now but the Recordings tape including Cortland Gibson (Dock Hellis)In 1980, Genesis P Orridge and Peter Sleazy Christopherson of (then ) Throbbing Gristle travelled to New York City to meet up at the fortified apartment, known as The Bunker, of famed beat writer and cultural pioneer William S. Burroughs and his executor James Grauerholz. Genesis and Sleazy started the daunting task of compiling the experimental sound works of Burroughs, which, up until that point, had never been widely heard. During those visits,