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The gentle acoustic strumming and structure of opener Alabama Pines specifically recalls the cockeyed folk songs from Ritters The Historical Conquests of Josh Ritter , but Isbells song lacks focus: After devoting an entire verse of Alabama Pines to avoiding traffic around the Talladega Superspeedway, he ends the song with a brief political diatribe about how liberties we cant do without seem to disappear like ghosts in the air. The conceit of Weve Met is only half-formed, with each verse shifting awkwardly from first impressions to reunions both pleasant and uncomfortable

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